And what have we here?

SITE CONTENTS

1) Welcome!

2) Some General Introductory Stuff

3) The Don Camillo Books

4) Author Giovanni Guareschi

5) Other Works by Guareschi

6) Guareschi's Translators

7a) The Fernandel- Cervi Films

7b) Other Film, TV, and Radio

8) Finding Copies of the Books & Films


9) Visiting the Little World Today
-- Introduction
-- Il Club dei 23
-- The Don Camillo Film Museum in Brescello
-- The Giovanni Guareschi Museum in Diolo


10) Latest News From the Little World

11) Guareschi Links Online

12) The Don Camillo E-mail List

13) The Little World Wide Web Ring

14) Some Don Camillo Downloads

15) Contact Me / Sign My Guestbook


The Don Camillo Film Museum in Brescello

Visit the self-proclaimed 'Town of Don Camillo and Peppone'

[Note: There are 10 small .jpgs on this page. They do not take much time to load, and for the die-hard Guareschi fan (who else would be reading this??), I think they're worth waiting for.]

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Though you can purchase Guareschi's books in its gift shop, the "Museo Don Camillo e Peppone" in Brescello is actually devoted to the 1950's-60's series of French-Italian produced films based on the Don Camillo stories, which starred Fernandel and Gino Cervi as the irascible priest and his equally hot-tempered adversary and friend. Brescello is the town (about 30 kilometers from GG's home) where the films' outdoor location shooting was done (as for the indoor filming, I believe that for the first two films in the series all of it was done on a Cinecitta' soundstage; by film #3, though, at least some of the indoor scenes-- including those in the church-- were shot in Brescello). And I think that the building which now houses the museum was featured as the Town Hall in the films.

Inside, the museum consists of two rooms. In the larger one, several rows of folding screens display many photos (mainly publicity stills, but also some behind-the-scenes shots) and newspaper articles associated with the five Don Camillo films, as well as a few from "Gente Cosi" (a movie made by Guareschi a year before the Don Camillo film series was begun) and from the ill-fated sixth Don Camillo film (to have been based on Don Camillo e i giovani d'oggi, its shooting was begun in 1970 and abandoned upon the death of star Fernandel). Film posters line the walls, bicycles and motorcycles (presumably ones actually used in the movies) are propped up in the corners, and one area is set aside for the perpetual showing of the videos of the Don Camillo films (they play in rotation; something's always on). Besides Guareschi's books, the gift shop sells videos, postcards, and kitschy souvenirs (t-shirts, figurines, wine and biscuits with a "Don Camillo" label, etc.).

In the next (smaller) room are reconstructions of a couple of familiar sets from the films, including Don Camillo's study (complete with "Don Camillo," or at least his cassock on a free-standing hanger) and the Botazzis' kitchen/dining area. My impression is that all of the props displayed are meant to be "the real thing" and not just facsimiles (but the person I saw them with was skeptical, and the language barrier prevented me from asking an employee outright).

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Right: Not a great shot, but the only one I have, of part of the main room of the museum. You get the idea, anyhow, of all the folding screens and movie stills. And you can see movie posters on that back wall, as well as a bicycle or two propped up against it. Brescello museum

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Giannini
In what would have been the sixth Don Camillo movie to star Fernandel and Gino Cervi, Giancarlo Giannini was cast as Peppone's son, the long-haired rebel who gives his father fits but who ends up an ally of Don Camillo in the latter's battles with his wild niece. Far left: my glare-ridden photo (many of the museum's pictures are in frames with glass) of a 1970 newspaper article about the movie, then in production. Immediate left: detail of the article's shot of Giannini "in costume."

painting

Left: This picture, by artist and museum co-founder Marco Cagnolati, includes key images of the Little World, such as the River Po, Giovannino Guareschi, Fernandel and Gino Cervi as his two great characters

Right: And here, in the museum's "back room," is the reconstruction of Don Camillo's study, with what I suppose is Fernandel's actual costume there.

Fernandel costume

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But there's more to see, outside the museum: on the immediate grounds are the tank from "Don Camillo e l'onorevole Peppone," a restored train engine (used in the early films, it says, though there are trains in all five), and (around back, in lovely green "Parco Giovannino Guareschi") a bust of Guareschi by German sculptor Gudrun Schreiner of Baden-Baden. Then, throughout the town (the museum provides a map) are scattered film locations such as the main piazza, the church (closed to tourists when I was there in August, 1998), the facades of Don Camillo's and Peppone's respective homes (including the balcony from which, in the first film in the series, Peppone announces the birth of "another comrade"), and the street where the large bell from "Don Camillo monsignore ma non troppo" now hangs. On the edge of town, visible from the main highway, is the familiar railroad station of Brescello (does it appear in all five films, or just the first four?).

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Below left: Out back, the Schreiner bust of Guareschi in "Parco Giovannino Guareschi." Right: In front, the tank from "Don Camillo e l'onorevole Peppone." In the story, the Reds have been hiding the American tank; Don Camillo is only too happy to help the mayor get rid of it.
GG memorial tank

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bell Right: Along a street off the main piazza hangs the bell that fell on Peppone in "Don Camillo monsignore ma non troppo." It doesn't look so huge in real life, though it's big enough to fit a person underneath. I'm told it's not really made of metal, though.

Below left: One side of the main piazza, facing the church. If you've seen the first film, you've seen this facade, though it wasn't "Cafe' Don Camillo" in those days. Incidentally, it was at least in part because of the size of the main square that Brescello (rather than a smaller town favored by Guareschi) was chosen as the location for the films.  Below right: Don Camillo's church. According to Carlotta Guareschi, the little portico out front wasn't there before the movies were shot. A fake one was constructed for the first film, and then a real one was built (in time for the second) with a donation from the producers.
piazza church

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Finally, click here to visit the museum's official homepage, which includes movie stills and some text in both Italian and English. Look there for information on opening times and admission fees (I don't think there's a fee...). I've also seen the museum listed in some on-line museum directories, some of which refer to it as the "Museo Peppone e Don Camillo"-- not sure which order of the names is the the "official" one!

(This page last updated 29 May 2002)

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